Artists Repertory Theatre
April 27, 2006; closes May 7, 2006
Keith Scales is wholly mesmerizing. Play’s hypothesis is provocative, if tad scholarly. Production shows spectrum for and against using accents. What if monologues put audience on the spot, actually delivered eye-to-eye rather than to back of theatre? Breaking the fourth wall would make this somewhat arms-length distanced play truly disturbing.
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Focusing on the Portland, Oregon theatre scene in precisely 50-word increments. followspot@hotmail.com
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