Portland Center Stage
July 20, 2008
Review by peanutduck
Great characters but the story and relationships are unclear. What interested: no one is who he or she seems to be – physically or emotionally. Three of the characters are trans or passing; nice Marie finds a murderous crime of passion erotic. Passing thought: would this work better as a movie?
Showing posts with label Portland Center Stage. Show all posts
Showing posts with label Portland Center Stage. Show all posts
Sunday, July 20, 2008
JAW: Crazy Enough
Portland Center Stage
July 20, 2008
Review by peanutduck
How can one not enjoy the lyric, “my vagina is eight miles wide,” carried by Storm’s throaty voice? Her history is fascinating. Fingers crossed that revisions strengthen the text, which doesn’t yet do her story justice, and she relaxes, enabling her passion, palpable in song, to flow through her storytelling.
July 20, 2008
Review by peanutduck
How can one not enjoy the lyric, “my vagina is eight miles wide,” carried by Storm’s throaty voice? Her history is fascinating. Fingers crossed that revisions strengthen the text, which doesn’t yet do her story justice, and she relaxes, enabling her passion, palpable in song, to flow through her storytelling.
Labels:
JAW,
New Work,
peanutduck,
Portland Center Stage
JAW: A Brief Narrative of an Extraordinary Birth of Rabbits
Portland Center Stage
July 19, 2008
Review by peanutduck
Of Swanson’s original one-act, one page survives; she leaves with 99 new pages of an incomplete, wildly imaginative two-act involving a surrogate mother birthing rabbits, a philosophical stork, an obstetrical farce puppet theatre. It has a too-many-writers-wielding-the-pen feeling but once the guiding voice is found, it’ll be a laugh-your-ass-off adventure.
July 19, 2008
Review by peanutduck
Of Swanson’s original one-act, one page survives; she leaves with 99 new pages of an incomplete, wildly imaginative two-act involving a surrogate mother birthing rabbits, a philosophical stork, an obstetrical farce puppet theatre. It has a too-many-writers-wielding-the-pen feeling but once the guiding voice is found, it’ll be a laugh-your-ass-off adventure.
Labels:
JAW,
New Work,
peanutduck,
Portland Center Stage
Saturday, July 19, 2008
JAW: Paradise Street
Portland Center Stage
July 19, 2008
Review by peanutduck
Enter TJ, a combative, homeless woman whose attack on a post-post-feminist theorist catalyzes the downfall of three of the privileged upper-class – one to prison, two working at “Mega-Mart.” Congdon’s play is a tornado of ideas, ironic commentary, and keeps us guessing. Second act weaker as it meanders, loses focus, tension.
July 19, 2008
Review by peanutduck
Enter TJ, a combative, homeless woman whose attack on a post-post-feminist theorist catalyzes the downfall of three of the privileged upper-class – one to prison, two working at “Mega-Mart.” Congdon’s play is a tornado of ideas, ironic commentary, and keeps us guessing. Second act weaker as it meanders, loses focus, tension.
Labels:
JAW,
New Work,
peanutduck,
Portland Center Stage
Tuesday, July 15, 2008
JAW: A Playwrights Festival

Portland Center Stage **Poster image by David Emmite**
July 8 - 20, 2008
J.ust A.dd W.ater (West)
Newspeak: A 2-week developmental festival of new work for the stage.
The Truth: A chance for PCS to loosen the hairnet. It's 2 weeks of playing rough in the dirt with Oregon and national playwrights, jumping into some site specifics, and lots 'o mingling. Check out what that drafting, re-drafting, re-creating, tossing-it-all-out-and-writing-it-again is all about.
JAW is awesome. It's free. It's the 10th anniversary and they're pullin' out all the stops.
July 8 -10: Made in Oregon Readings
Friday, July 18: Commission! Commission!
Saturday, July 19: Theatre Fair & You Are There
Workshop Readings: Crazy Enough
A Brief Narrative of an Extraordinary Birth of Rabbits
Paradise Street
Sunday, July 20: Playwright's Slam
Workshop Readings: Crazy Enough
Pony
Enchantment
Labels:
JAW,
New Work,
Portland Center Stage
Tuesday, June 24, 2008
Now Hear This: Why Love Doesn't Recognize Its Name
Portland Center StageJune 28, 2008
Summary:
At a loss for words? Come down to Lee’s Expressive! Lee and his team of mechanics help clients whose speech patterns are clogged with words that are too ornate, or have the wrong shade of meaning, or just plain don’t communicate. Only Deep Mystery can unlock the most problematic phrases.
Labels:
New Work,
Portland Center Stage
The Little Dog Laughed
Portland Center StageMay 2 - June 29, 2008 (Extended)
Review by peanutduck
Surprisingly substantial; you laugh while being punched in the gut...if you laugh at all. Beneath masks of uber-stylishness, self-absorption four people battle, and are sacrificed by, not only the Hollywood slaughterhouse, but societal expectations and hypocrisy. At times too neat, emotionally trite, and/or rushed, but a solid, affecting play nonetheless.
Labels:
peanutduck,
Portland Center Stage
Monday, June 09, 2008
Doubt: A Parable

Portland Center Stage
May 20 - June 15, 2008
Review by peanutduck
Doubt provides no answers – only a spiral of gray questions; and the priest’s innocence or guilt is the least of them. Shanley’s provocative script is the star; Pitts’ brief appearance as Mrs. Muller – among the most interesting characters recently created - a close second. Taini’s Sister Aloysius too heavy-handedly hateful.
Labels:
peanutduck,
Portland Center Stage
Tuesday, May 13, 2008
Now Hear This: F.U.B.A.R.
Portland Center StageMay 17, 2008
Summary:
Mary lives amid the boxes her abused mother left behind. David is desperate to stay young and hip. Richard is on the road not taken and Sylvia’s along for the ride. Then Mary is the victim of an act of violence, leading them each down different paths of addiction, realization.
Labels:
Portland Center Stage
Saturday, April 19, 2008
Sometimes a Great Notion

PCS
April 1 - May 11, 2008 (extended)
Review by peanutduck
Brothers’ relationship, tangled with love, resentment, admiration, affects through well-structured dialogue interwoven with asides, choral accompaniment. Scenes with disgruntled logging community - The Six (among Portland’s best) – suffer from overly expository writing, static direction. Language, movement, lighting at times beautiful. Worth the hype? Still too uneven; another draft should tell.
Labels:
New Work,
peanutduck,
Portland Center Stage
Monday, February 18, 2008
All Hail Hurricane Gordo
Portland Center Stage
February 23, 2008
Summary:
Staged Reading. Two brothers' tenuous hold on stability gets blown apart when they take in a plucky young houseguest with a secret. India is running away from her relatively normal family; Chaz struggles to find normalcy in the one he already has. Playwright Carly Mensch is currently at Julliard.
February 23, 2008
Summary:
Staged Reading. Two brothers' tenuous hold on stability gets blown apart when they take in a plucky young houseguest with a secret. India is running away from her relatively normal family; Chaz struggles to find normalcy in the one he already has. Playwright Carly Mensch is currently at Julliard.
Labels:
Portland Center Stage
Monday, February 11, 2008
A Feminine Ending

Portland Center Stage
February 5 - March 23, 2008
Review by Thursday
Amanda Blue scripts a short section of her life as composer and oboe player. Beautifully written text compensates for one-note Amanda. Land, Schultz bring out colors in Bloom's performance. Although lighting in first scene distracts; inventive set, blocking make show seamless. Ambiguous closing proves piece indeed has a feminine ending.
Labels:
Portland Center Stage,
Thursday
Saturday, January 26, 2008
Twelfth Night

Twelfth Night
January 22 - March 9, 2008
Review by Mint Tumbles
It's all about the women. Carol Halstead is a magnetic Olivia, Maria and Viola anchor the other stories. Brad Bellamy very natural as Feste. More lovely songs. The choice to do this in repertory with Beard is a natural fit. Duke Orsino a bit too like de Vere. Fantastic frightened swordfight.
Labels:
Mint Tumbles,
Portland Center Stage
Sunday, January 20, 2008
Beard of Avon

Portland Center Stage
January 15 - March 19, 2008
Review by Mint Tumbles
Delightful performances from hollow script. Shakespearian structurewith high court plot (de Vere) and low (Shakspere) amusing, if forced. Stagey conceits largely work, ditto the all-purpose set. Lovely use of song from Ben Buckley. Darius Pierce is funny as Will, Catherine Lynn Davis affecting as Anne. Wordplay and wigplay.
Labels:
Mint Tumbles,
Portland Center Stage
Saturday, November 24, 2007
A Christmas Carol
Portland Center Stage
November 27 - December 23, 2007
November 27 - December 23, 2007
Labels:
Portland Center Stage
Thursday, November 01, 2007
The Underpants
Portland Center Stage
October 16 - December 9, 2007
November 7, 2007
Posted by Followspot
Not so much over the top as under the bottom. Why, when you could do almost any play, would you choose this one? Kind of like ordering a corn dog at Higgins. Martin’s talent seems more about his own physicality than writing ability. Despite material, Steinkamp and Borrelli shine bright.
October 16 - December 9, 2007
November 7, 2007
Posted by Followspot
Not so much over the top as under the bottom. Why, when you could do almost any play, would you choose this one? Kind of like ordering a corn dog at Higgins. Martin’s talent seems more about his own physicality than writing ability. Despite material, Steinkamp and Borrelli shine bright.
Labels:
followspot,
Portland Center Stage
Sunday, September 30, 2007
Cabaret
Portland Center Stage
September 29; closes November 4, 2007
Epic, entertaining, impressive. Sharp, tight look and feel. Just about everything works. Many fine performances, but one crucial link binds it all together: Wade McCollum. Over-sexed choreography highlights that spoken story is for the most part fairly tame stuff. Opening starts so high, there is nowhere to go but down.
September 29; closes November 4, 2007
Epic, entertaining, impressive. Sharp, tight look and feel. Just about everything works. Many fine performances, but one crucial link binds it all together: Wade McCollum. Over-sexed choreography highlights that spoken story is for the most part fairly tame stuff. Opening starts so high, there is nowhere to go but down.
Labels:
followspot,
Portland Center Stage
Thursday, July 26, 2007
JAW 2007
A spot for observations, thoughts, input on this year's JAW.
Mead Hunter - Interview
Jason Grote - Interview
Dan LeFranc - Interview
7/12 - Sometimes A Great Notion
7/16 - Driving Under the Influence
7/17 - First Beard
7/19 - The Book of John
7/22 - Playwrights' Slam
7/22 - A Story About a Girl
Mead Hunter - Interview
Jason Grote - Interview
Dan LeFranc - Interview
7/12 - Sometimes A Great Notion
7/16 - Driving Under the Influence
7/17 - First Beard
7/19 - The Book of John
7/22 - Playwrights' Slam
7/22 - A Story About a Girl
Labels:
JAW,
Portland Center Stage
Sunday, July 22, 2007
Friday, July 20, 2007
JAW - Playwrights' Slam
For an interview with Slam curator Andrew Golla, click here.
The Slam lineup (alphabetical by author):
CHUCK FROM FINANCE, OR THE HAPPY PENGUIN by Hunt Holman
TRYING NOT TO STARE by Ellen Margolis
[TITLE UNKNOWN] by Alex Reagan
GHOSTS OF CELILO by Marv Ross
Music by Marv Ross, Chenoa Egawa, Arlie Neskahi, and Mel Kubik-Bondy
8 VIEWS TOWARD CENTER by Francesca Sanders
New Adaptation of Aristophanes' PEACE by Keith Scales
The Slam lineup (alphabetical by author):
CHUCK FROM FINANCE, OR THE HAPPY PENGUIN by Hunt Holman
TRYING NOT TO STARE by Ellen Margolis
[TITLE UNKNOWN] by Alex Reagan
GHOSTS OF CELILO by Marv Ross
Music by Marv Ross, Chenoa Egawa, Arlie Neskahi, and Mel Kubik-Bondy
8 VIEWS TOWARD CENTER by Francesca Sanders
New Adaptation of Aristophanes' PEACE by Keith Scales
Labels:
JAW,
Portland Center Stage
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