April 25 - May 31, 2008
Review by peanutduck
Characters fluent in ridiculous cliché, doublespeak language of oppressors. Remove framework, add human self-reflection, yearning, and enjoy befuddlement. While cast euphemizes trippingly, few ably activate, explore text’s dynamics and story (there is one), which is why Moore’s Falk, an engaging, fully-realized man destroyed by the bureaucratic hell-machine, is doubly refreshing.