Twilight Repertory Theatre
August 28 - September 20, 2009
Review by peanutduck
Murder mystery send up with tongue-in-cheek Portlandia twist – insider-giggles sprung from hometown-inspired theatre; identification leading to audience as co-conspirator in evening's experience. Fun is participant-dependent; be willing to play detective. During intermission people traded speculations, which made for lively second act interrogations. But… while the mystery’s solved, what’s the motive?
Showing posts with label Twilight Repertory Theatre. Show all posts
Showing posts with label Twilight Repertory Theatre. Show all posts
Tuesday, September 15, 2009
Tuesday, June 23, 2009
Parents and Children
Twilight Repertory Theatre
June 5 - 28, 2009
Summary:
Six plays are held together by a common theme – familial relationships - but vary from tragic to farcical and points in between. The playwrights include JJ Hawkins, John Duncan, David Gallic, Brian Koch, Karin Magaldi, and Gretchen Icenogle. Join them for a rollercoaster examination of that most perplexing human relationship.
June 5 - 28, 2009
Summary:
Six plays are held together by a common theme – familial relationships - but vary from tragic to farcical and points in between. The playwrights include JJ Hawkins, John Duncan, David Gallic, Brian Koch, Karin Magaldi, and Gretchen Icenogle. Join them for a rollercoaster examination of that most perplexing human relationship.
Monday, April 20, 2009
Who's Afraid of Virginia Woolf?

April 9 - 26, 2009
Review by peanutduck
The most vitriolic of lovers, well wrought by Beth Thompson and, particularly, John Duncan as ineffectual, impotent George. Production held back by unanswered central question: Why do guests endure abuse? Never felt the terror necessary to accelerate action as fun and games spiral out of control; unneeded pauses negate tension.
Monday, January 19, 2009
Arms and the Man

January 2 - 24, 2009
Review by peanutduck
Low-brow British burlesque cozy in a barroom or thee-ay-tah. Twilight Rep pushes Shaw’s characters from upper-crust linguistic pedestals; instead commentating on characters’ foolishness through physical parody (face pulling, cape waving) and clever slides a la silent film, which emphasize and lower/raise tight, ironic wordplay to an everyman level of amusement.
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