The David Mamet School for Boys
August 15 - 23, 2008
Review by peanutduck
1960s, subway car, white woman initiates game of abusive seduction with black man. Murray’s Lula teasingly gropes Clay while racial slurs roll off her tongue, yet Najieb’s Clay barely flinches. Emotional and/or sexual connection between actors is absent, preventing sense of mounting danger; thus, climax, rather than shocking, falls flat.