Posted by Followspot January 14, 2007; closes January 20, 2007
Soft-core, uninciteful activist theatre. What worked: natural pickings of Ian Anderson-Priddy, Meredith Weber. What needed work: otherwise uneven casting with barren stagings of duplicative refrains. Faster pace, tighter scene changes, interlaced codas, edginess might’ve kept gappy performance from repeatedly losing momentum. Technical elements: if you can’t make good, go without.