Reviewed by Followspot November 25, 2006; closes December 9, 2006
Conceptually, clever potential: What'd applying Sissyboy post-modern drag to script like this do? And what might happen on this fabulous cartoon set that could easily be home for Mary Kay-selling Liberace? Genet’s cunning loquaciousness becomes ever-more cluttered among additional giddy, gaudy and gauche. Still, niche theater invites imagination: What next?