March 25, 2006; closes April 22, 2006
Dangerously wise, underhandedly funny. Deirdre Atkinson keeps getting more interesting; Michael Fetters was flawless. Clever production design, especially CCTV. David Lipkind’s score twists twang, honing in on imagination awry. Only quibble would be some flat blocking, and choppy scene transitions that begged for more consistent, imaginative convention. Curious: Why proscenium?