Sojourn Theatre
March 9, 2005
Skillfully theatrical, inventive staging—chilling, creepy. Director Michael Rohd’s concise, original, evocative adaptation left “reverberating thoughts” with modern resonance. Weaknesses: ensemble casting; first-act choreography, voiceovers; third-act songs. But risks fade in shadow of Gretchen Corbett’s revengefully powerful yet vulnerable Claire; Rody Ortega's sound landscape; lighting/shadowing by Dan James. Go Visit.
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Focusing on the Portland, Oregon theatre scene in precisely 50-word increments. followspot@hotmail.com
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