Quintessence Language and Imagination Theatre
July 31, 2004
A dull knife would have been sharper than this glacially paced, self-absorbed, preachy, pedantic and pretentious vanity play from Connor Kerns about a woman who can see truth behind otherwise imperceptible facial expressions. My companion saw truth behind its imperceptible octopus plot when he said, “I hate this. It hurts.”
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